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Publ. on the occasion of the exhibition "Joods van stof: verhalend textiel uit eigen collectie", 18 April - 19 October 1997, Joods Historisch Museum. 248 p. : ill., foto's. ; 29 cm

In August 1945, a small group of Jewish industrialists was tried in absentia by the military court in Maribor, Yugoslavia. They were convicted of "war crimes" and sentenced to confiscation of property. Part of the nationalization policies of the new communist government, the episode related to specifically Jewish experiences before, during and after the Holocaust. Subsequent legal cases seeking redress ...

56 pages illustrations (maps) 4 plates on 2 leaves 21 cm.

Met lit. opg., reg. 255 p. : ill. ; 24 cm.

Sample in cellophane pocket attached to back cover. 249 pages illustrations, plates (some color, 2 folded) 23 cm

At head of title: Forschungsprogramm "Geschichte der Kaiser-Wilhelm-Gesellschaft im Nationalsozialismus", Research Program "History of the Kaiser Wilhelm Society in the National Socialist Era." 69 pages ; 30 cm.

De overheidsorganisaties in de textielsector (d.w.z. de Rijksbureaux voor Handel en Nijverheid) vormden een integrerend deel van het geheel der Ned. textielwereld. Dit wil niet zeggen, dat er geen tegenstellingen tussen overheid en bedrijfsleven hebben bestaan. Anderzijds vormden overheid en bedrijfsleven tezamen een front tegen de overweldiger. Twee doeleinden hebben gedurende de gehele bezettingstijd ...

Traces the history of German claims to western Poland from the Middle Ages to its annexation as the Warthegau in 1939, focusing on the city of Łódź, an important textile center with some 230,000 Jewish inhabitants in 1939. After the occupation, the Germans deported 80,000 Jews and many Poles, in order to resettle the Warthegau with ethnic Germans, until it was decided to exploit the city's industries. ...

In 1939, fashion became an economic and symbolic sphere of great importance in France. Invasive textile legislation, rationing and threats from German and American couturiers were pushing the design and trade of Parisian style to its limits. It is widely accepted that French fashion was severely curtailed as a result, isolated from former foreign clients and deposed of its crown as global queen of ...

"Gorgeous War argues that the Nazis used the swastika as part of a visually sophisticated propaganda program that was not only modernist but also the forerunner of contemporary brand identity. When the United States military tried to answer Nazi displays of graphic power, it failed. In the end the best graphic response to the Nazis was produced by the Walt Disney Company. Using numerous examples of ...