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CU of commandeered German truck driving burial detail to the mass graves outside Belsen, loaded with British soldiers and SS men in the back of the truck with corpses. Corpses on ground in BG. Naked female corpses dropped into grave, carried by two SS guards in uniform. Exuberant, clapping female survivors in crowd cheer and follow truck of British soldiers. CU of various women expressing pain and ...

MS Group of thin men with shaved heads in a poorly lit hall, German officers walking by [VQ: extremely poor, grainy, hardly visible]. Large pile of ropes, inmates de-tangling ropes. Men look malnourished and sick. Pan of men in white uniforms, Nazi officers, and people in suits (some are Red Cross officials) standing next to barbed wire. They are posing for camera, joking, and smiling. CU of inmates ...

Goebbels in profile in trenchcoat. At Lustgarten, Berlin. In BG soldier and journalist in bowtie and hat. Big camera visible too. Great MLS of camera on tripod. Pan out across swarming crowd. Hindenburg walking through crowd, up to podium. Looks very professorial. "Heils"; holding top hat. Hindenburg speaks, greets crowd. Reads from paper with big print in gloved hand (age). Then, hurrahs, big cheers ...

Based on archival materials, many of which have become only recently available, World War II, Film, and History offers an informative and a disturbing look at the complex relationship between national myths and filmic memory, as well as the dangers of visual images being transformed into "reality." Includes bibliographical references (pages 163-168) and index. xv, 187 pages : illustrations ; 22 cm ...

George Stevens (December 18, 1904 – March 8, 1975) was an American film director, producer, screenwriter and cinematographer. During World War II, Stevens joined the U.S. Army Signal Corps and headed a film unit from 1943 to 1946 under General Eisenhower. His unit shot footage documenting D-Day — including the only Allied European Front color film of the war — the liberation of Paris and the meeting ...

This Master's thesis looks at the historiography of Rwanda's genocide in an attempt to establish how and why the debates that are found within it are created and perpetuated. This thesis uses frameworks concerning the abuse of history and different notions of truth to look at the current debates in the historiography. Doing so, it demonstrates that history is abused by the Rwandan government through ...

Judgment of Nazi Leaders at Nuremberg, Germany, 30 September 1946. (Mute) Exteriors, good atmosphere in streets. MS of MP checking pass of soldier on a motorcycle. Shots of guards in truck, armored cars and on foot, around the palace. Scenes of MP directing traffic, and civilians having passes checked 04:12:20. CU of sign: " STOP, DETOUR". Shots of the facade of the Palace of Justice. (Mute) MS, Herman ...

Julien Hequembourg Bryan (1899-1974) was an American documentarian and filmmaker. Bryan traveled widely taking 35mm film that he sold to motion picture companies. In the 1930s, he conducted extensive lecture tours, during which he showed film footage he shot in the former USSR. Between 1935 and 1938, he captured unique records of ordinary people and life in Nazi Germany and in Poland, including Jewish ...

Camp of Polish POWs, long line of POWs marching on road, CUs feet. German troops move east, through rural terrain. Graphic of southern front (Lemberg). Troops cross River San, Hitler reviews. Hitler looks at map. German troops, tanks through burning town. Tired German troops and artillery along road. Troops rest by road, sleeping, cleaning equipment, washing shaving, etc. Read papers while marching. ...

Testimony. Photocopy of manuscript in German, with a 62 page translation into English, with a postscript. The original manuscript was titled "Aufzeichnungen ueber mein Leben im Kamp durch 2 Jahre, fuer meine Kinder," and was written by Viennese-born Ricke Papanek, who was deported to Theresienstadt in 1943. The manuscript was written in diary form about author's time in Theresienstadt, looking back ...