This work explores the influence of imperialism in the landscapes of modern European cities. Many still have signs of their imperial past in their architecture and monuments as well as in the way their identities are understood. Originally published: 1999. xvii, 283 pages : illustrations, facsimiles, maps ; 24 cm.

Overview: Holocaust memorials and museums face a difficult task as their staffs strive to commemorate and document horror. On the one hand, the events museums represent are beyond most people's experiences. At the same time they are often portrayed by theologians, artists, and philosophers in ways that are already known by the public. Museum administrators and curators have the challenging role of ...

67 pages, 2 unnumbered leaves of plates : illustrations ; 25 cm

Rev. version of the author's thesis (doctoral--Ruhr-Universität Bochum, 1980) originally presented under the title: Die Thing-Bewegung im Dritten Reich. 305 pages : illustrations ; 24 cm

Verscheen 2x per jaar v. ; 30 cm

In this book Giles MacDonogh shows Berlin in its various incarnations: the trading town, the royal residence, the garrison town, and the industrial city; the capital of the new German nation and the cosmopolitan city of the early twentieth century; the capital of the Third Reich; the divided city after 1945; and finally, Berlin as it is today. He paints a multifaceted picture, drawing from a wide range ...

Originalausg. 285 pages : illustrations ; 19 cm.

Illustrations on covers. 4 preliminary leaves, 48 plates on 24 leaves 31 cm.

[39.-88. Taus.]. 96 p. ; fol.

Scope and content: Onderzoek naar Albert Speer, architect en medewerker van Hitler, in de vorm van verhalen en een schouwspel.

311 p. ; 22 cm.

218, [3] pages mounted illustrations, plates, portraits, map (1 folded) 25 cm

40 p., 42 p. plates : illustrations ; 17 cm

Silent documentary. Black and white film Studio: Central Studio of Documentary Cameraman: Pogorely

Hitler's aim of the Aryan super-state was to be expressed as much in art as in politics. Culture was not only the end, to which power should aspire, but the means of achieving it. Arts were at the centre of Hitler's life and he was at the centre of the arts. He dissolved the line between art and politics and, through spectacles, parades, festivals, political theatrics and architecture, turned the entire ...

Met lit. opg., reg. 120 p. : illustrations, foto's., krt., plgr. ; 25 cm.

I: De stad. [75] p. : ill. ; 15×25 cm

3. verbesserte und veränderte Auflage. 112 p. : ill. ; 24 cm.

Heft 1-Heft 12. 1 v. : ill. ; 30 cm.

2. erw. Aufl. 168 pages, [approximately 45] leaves of plates : chiefly illustrations ; 31 cm

"Topographies of Fascism offers the first comprehensive exploration of how Spanish fascist writing--essays, speeches, articles, propaganda materials, poems, novels, and memoirs--represented and created space from the early 1920s until the late 1950s. Nil Santiáñez contends that fascism expressed its views on the state, the nation, and the society in spatial terms (for example, the state as a "building," ...

85 pages : illustrations ; 22 cm