Hollywood and Hitler, 1933-1939
The abundance of WWII-era documentaries and the huge cache of archival footage that has emerged since 1945 make it seem as if cinematic images of the Nazis were always as vivid and plentiful as they are today. Yet between 1933 and 1939, representations of the Nazis and the full meaning of Nazism came slowly to Hollywood, growing more distinct and ominous only as the decade wore on. Recapturing what ordinary Americans saw on the screen during the emerging Nazi threat, Thomas Doherty reclaims forgotten films, such as 'Hitler's Reign of Terror' (1934), a pioneering anti-Nazi docu-drama by Cornelius Vanderbilt, Jr.; 'I Was a Captive of Nazi Germany' (1936), a sensational true tale of 'a Hollywood girl in Naziland!'; and 'Professor Mamlock' (1938), an anti-Nazi film made by German refugees living in the Soviet Union. Doherty also recounts how the disproportionately Jewish backgrounds of the executives of the studios and the workers on the payroll shaded reactions to what was never simply a business decision. As Europe hurtled toward war, a proxy battle waged in Hollywood over how to conduct business with the Nazis, how to cover Hitler and his victims in the newsreels, and whether to address or ignore Nazism in Hollywood feature films. -- Publisher description. Includes bibliographical references and index. ix, 429 pages ; 23 cm.
- Doherty, Thomas Patrick.
- NIOD Bibliotheek
- Text
- ocn824087982
- Nazis in motion pictures.
- Motion picture industry--United States--History--20th century.
- Motion pictures, American--Germany--History--20th century.
- Motion pictures--Political aspects--Germany--History--20th century.
- Motion picture industry--Germany--History--20th century.
- National socialism and motion pictures.
- Motion pictures--Political aspects--United States--History--20th century.
- Motion pictures in propaganda--Germany--History--20th century.
- Motion pictures, German--United States--History--20th century.
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