Bicinia op. 20

Rondel (Demoustier) Ronde (P. Fort) Kyrie Lied (G. Gossaert) Abschiedslied Copla (H. de Vries) For 2 female voices with or without accompaniment. Preferred accompaniment: 2 violins, oboe and viola, 2 flutes, 2 english horns, 2 clarinets or other combinations. Performance without voices is a possibility as well. Composed while in captivity in KLH (Konzentrationslager Herzogenbusch) location of manuscript: www.nederlandsmuziekinstituut.nl archive registration number 351/019 351/215c Recording: <a href="https://www.youtube.com/embed/t_xJPDVNkD0?list=PLss30qgueyJps9Jto0yZ1zqQh2YSONCQ0">https://www.youtube.com/embed/t_xJPDVNkD0?list=PLss30qgueyJps9Jto0yZ1zqQh2YSONCQ0</a> à Elsie Thomart Marius Flothuis led an eventful life. Early on, he was politically aware and left-wing orientated. He lost his job at the Concertgebouw Orchestra on his refusal to register with the Kultuurkamer, a regulatory cultural agency installed by the German occupying forces during World War II. He was arrested for his resistance work, imprisoned in Camp Vught and deported to Sachsenhausen in 1944. Meanwhile, he continued composing and survived the hardships. In the postwar Dutch and international music worlds he held numerous positions. by Joyce Kiliaan